The temple derives its name from Durgadagudi meaning 'temple near the fort'. Dedicated to Vishnu, the temple appears to be a Hindu adaptation of the Buddhist chaitya (hall) with its apsidal end. Standing on a high platform with a 'rekhanagara' type of Shikhara, it is the most elaborately decorated monument in Aihole. The columns at the entrance and within the porch are carved with figures and ornamental relief's. The temple appears to be a late 7^th or early 8^th century construction.

The experimental nature of temple building by the Chalukyas is best elaborated in the Ladh Khan Temple, located south of the Durga Temple. Not knowing how to build a temple, they built it in the Panchayat hall style. The windows were filled up with lattice work in the northern style and the sanctum was added later on. The sanctum is built against the back wall and the main shrine has a Shivalinga along with a Nandi. Above the center of the hall, facing the sanctum, is a second smaller sanctum with images carved on the outer walls.

The temple, built about 450 AD, gets its name from a Muslim prince who converted it into his residence.
  

This appears to be one of the earliest groups of temples in Aihole, located to the north of village behind the Tourist Home. The sanctum has a northern style "Rekhanagara" tower over it. The vestibule in front of the sanctum was introduced for the first time here.

The only dated monument in Aihole, the Meguti Temple was built atop a small hill in 634 AD. Now partly in ruins, possibly never completed, this temple provides an important evidence of the early development of the Dravidian style of Architecture. The inscription dating the monument is found on one of the outer walls of the temple and records its construction by Ravikeerti, who was a commander & minister of Pulakesin II. Apparently a Jain Temple as seen from the

seated Jain figure here, the superstructure rising above the sanctum wall of the temple is not original & the 16-columns porch and hall extension are later additions.

Located south-east of the Hucchimalli Temple, this rock-cut temple is assigned to the 6th century. The sanctum in there are wall is larger than these in Badami cave temples and it is provided with a vestibule flanked by carved panels, entered through a triple entrance. Despite the variety of images found here, the Mahishasuramardhini, the great Dancing Shiva linga with Ganesha and sapta-matrikas and the linga inside the sanctum an overall Shiva application.