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Woman of the month

Sheela Gowda............

Sheela Gowda

Sheela Gowda was born in Bhadravati district of Karnataka in 1957. She did her Diploma (Painting) in the Ken School of Art, Bangalore and studied painting under K.G. Subramanyan of Vadodara. She has also done Post-Diploma (Painting) in Vadodara and MA in Royal College of Art, London. She uses cow dung as a painting medium as a reference to the importance of cows in India, whether religious or functional, the latter including building with cow dung.
  
The Bangalore-based artist. Sheela Gowda has, like some other contemporary Indian artists, been questioning the conventions and aesthetic norms of Indian artistic practice in her work over the last decade. She recently produced a site-specific artwork called "Sakshi Gudda, Sakshi Gode" as part of the German festival in India. Gowda, who has tirelessly refused any easy or formulaic

response to an aesthetics in flux, forsook oil painting to experiment with such materials such as cowdung, kumkum or thread whether in the gallery or open space, producing works that ranged from the sensely tactile to the minimalist. Her conscious turn away from oils and to such materials - a response at least in part to the late 1980s and 1990s rise to prominence of the Hindu Right - is far from reverential. Rather, she has used them to comment on the threat of sudden or ritualised violence that lies congealed within the everyday. In this, her latest work, as in the "Art and Nature" project of 1995, the strategy appears to have somewhat changed, though achieving the same revelatory effect, since the artist takes as her starting point the very location, the rootedness of the site, and certain found objects, in order to work over, and work with urban "nature." It is a sudden peace that takes over and transforms the threat of violence, and yet it is a stealthy peace, an unplanned overgrowth.
       
Sheela Gowda first used thread in a series of coconut fiber works made in 1995, which followed the cow dung paintings. She placed embroidery rings over the fiber delineating two areas in the work the

encircled space upon which she placed small strings of thread, and the outlying area of fiber that spread freely beyond the. ring This creates a play between an inside space and an outside space, a contained space and an unwieldy fibrous "natural" space.
  
She held many solo exhibitions, some of which are:

Sheela Gowda Painting
  • 1987, 93 Venkatappa Art Gallery, Bangalore
  • 1989 Gallery 7, Mumbai
  • 1993 "Anatomy of Sacrilege," Gallery Chemould, Mumbai

Some other selected exhibitions are

  • 1979-82 Karnataka Lalit Kala Akademi Scholarship, Bangalore
  • 1981, 82, 85 Annuai Exhibition, Karnataka Lalit Kala Akademi, Bangalore.
  • 1984-86 INLAKS Foundation Scholarship, New Delhi.
  • 1984 Lalit Kala Akademi, New Delhi.
  • 1986 Degree Show, Royal College of Art, London.
  • 1987 Gallery 7, Mumbai.
  • 1988 2nd Biennale, Bharat Bhavan, Bhopal.
  • 1989 "Timeless Art:' Victoria Terminus, Mumbai.
  • 1994 "Tangente," Schaffhausen, Switzerland.
  • 1995 "Africus," 1st Johannesburg Biennale, Johannesburg.
    "Art and Nature," Bhuddha Jayanti Park, New Delhi.
    "lmmaterial-Material," MMB, Bangalore.
  • 1996-98 "Traditions/Tensions' Contemporary Art in Asia," Asia Society, New York/traveling exhibition to Canada, Australia and Taiwan.
  • 1997-98 "Telling Tales," British Council, New Delhi/Victoria Gallery, Bath/Newlyn Art Gallery, Penzance/Nottingham Castle Museum & Art Gallery, Nottingham [Honors and Awards]
  • 1996-98 Senior Fellowship, Department of Culture, Government of India, New Delhi.    
Sheela Gowda Painting
 
Sheela Gowda Painting

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